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<title>Guildford Book Festival</title>
<link>http://www.guildfordbookfestival.co.uk/html</link>
<description>PHP-Nuke Powered Site</description>
<language>en-us</language>

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<title>2010 Short Story Competition</title>
<link>http://www.guildfordbookfestival.co.uk/html/modules.php?name=News&amp;file=article&amp;sid=40</link>
<description>&lt;b&gt;We are pleased to announce a brand new writing competition for this year's Festival, in collaboration with the Surrey-based e-publishing company, Commutabooks.&lt;/b&gt; &lt;img src=&quot;http://www.sheresolutions.com/gbf/commutabooks-GBF.png&quot; align=right&gt;
&lt;p&gt;
Our competition is open to both new and established authors. We are looking for short stories that inspire and uplift readers to make the most of their days and their lives.
&lt;p&gt;
Commutabooks specialise in producing interactive eBooks for smartphones like the Apple iPhone, Google Nexus and the many eReaders such as the Amazon Kindle and the Apple iPad. 
&lt;p&gt;
Commutabooks is the brainchild of local author and author's mentor &lt;b&gt;Tom Evans&lt;/b&gt; who is also known as The Bookwright. They are designed to be read, listened to and watched in a single commute.
&lt;p&gt;
&lt;b&gt;
The prize is to convert the winning story into an &quot;App&quot; so it can be downloaded worldwide from the Apple iTunes store and read on the Apple iPhone, iPod touch and iPad. The App will also have a professionally recorded audio track so it can be listened to AND a video interview with the author. The prize also includes cover design, structural and copy editing and page design and layout.&lt;/b&gt;
&lt;p&gt;
As an example to inspire you, you can download one of Tom's self-penned narrated stories for the iPhone:
&lt;br&gt;&lt;center&gt;
&lt;a href=&quot;http://itunes.apple.com/gb/app/100-years-of-ermintrude/id349653008?mt=8&quot; target=&quot;_blank&quot;&gt;Get '100 Years of Ermintrude' FREE from the iTunes store here&lt;/a&gt;
&lt;/center&gt;
&lt;p&gt;
&lt;b&gt;The deadline for competition entries has now passed. Short-listed authors will be notified by 30th September 2010.  For any queries, please email &lt;a href=&quot;mailto:commutabooks@thebookwright.com&quot;&gt;Tom Evans&lt;/a&gt;&lt;/b&gt;.
</description>
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<title>Guildford Book Festival begins search for a new First Novel Sponsor</title>
<link>http://www.guildfordbookfestival.co.uk/html/modules.php?name=News&amp;file=article&amp;sid=39</link>
<description>We are urgently searching for new sponsorship to support the highly regarded annual &lt;a href=&quot;modules.php?name=News&amp;file=article&amp;sid=21&quot;&gt;First Novel Award&lt;/a&gt;.
&lt;p&gt;
The Award was inaugurated by the late &lt;b&gt;Douglas May&lt;/b&gt;, of Guildford financial advisers &lt;i&gt;Pendleton May&lt;/i&gt;. Douglas worked with the Festival organisers to establish the competition for a first novel published by an author residing in the UK, with the winner announced during the annual Guildford Book Festival.
&lt;p&gt;
The Award is well respected in the publishing world and entries are invited from authors across the UK. Last year, it attracted over 90 entries from both small and large publishers. Organisers are keen to increase the prize money this year, and hope that it will raise the profile of the Festival and the Award, especially in its 20th anniversary year.
&lt;p&gt;
Last year’s Chair, &lt;b&gt;Andrew Holgate&lt;/b&gt;, Literary Editor of &lt;i&gt;The Sunday Times&lt;/i&gt;, stressed the importance of Awards to encourage new writers. The organisers need to secure a minimum of £7,000. The prize money will be £5,000, with the remainder going towards the administrative costs of the Award. Unless a sponsor comes forward before the end of March, the Award won’t be able to continue this year.
&lt;p&gt;
Previous heads of the judging panel for the Award have included well known authors Margaret Drabble, Fay Weldon and Kate Mosse. Over recent years, the panels have selected as the winners novels by authors such as &lt;b&gt;Hari Kunzru&lt;/b&gt;, &lt;b&gt;Panos Karnezis&lt;/b&gt;, &lt;b&gt;Clare Clark&lt;/b&gt; and &lt;b&gt;Mike Stock&lt;/b&gt;.  Last year’s winner was &lt;b&gt;Ross Raisin&lt;/b&gt; with &lt;i&gt;God’s Own Country&lt;/i&gt;, and in 2007 &lt;b&gt;Catherine O’Flynn&lt;/b&gt; was announced as the winner for her novel &lt;i&gt;What Was Lost&lt;/i&gt; which went on to win the &lt;i&gt;Costa First Novel Award&lt;/i&gt;.
&lt;p&gt;
The winner of the First Novel Award is announced at a Presentation Dinner held during the Guildford Book Festival in October each year. We feel that at this time of recession it is more important than ever not to lose such a well established strand of the Festival and hope that a new sponsor will be forthcoming.
&lt;p&gt;
For further information about Guildford Book Festival and the Award, please email &lt;a href=&quot;mailto:director@guildfordbookfestival.co.uk&quot;&gt;Glenis Pycraft&lt;/a&gt; or call 01483 211720.</description>
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<title>Family Day, Saturday 25 October 2008</title>
<link>http://www.guildfordbookfestival.co.uk/html/modules.php?name=News&amp;file=article&amp;sid=38</link>
<description>&lt;p&gt;
Sponsored by &lt;a href=&quot;http://www.southwesttrains.co.uk/&quot; target=&quot;_new&quot;&gt; &lt;img src=&quot;http://guildfordbookfestival.co.uk/html/images/sponsor-logos/SWT.jpg&quot; border=0 width=140&gt;&lt;/a&gt;

&lt;p&gt;
&lt;a href=&quot;https://www.guildford.gov.uk/electricpeo/&quot; target=&quot;_new&quot;&gt;CLICK HERE&lt;/a&gt; to buy tickets online. This link will open in a new window.

&lt;p&gt;
&lt;li&gt;&lt;b&gt;The Big Draw Led by Paul Kercal&lt;/b&gt;&lt;br&gt;
Guildford YMCA, Bridge Street • 10am-4pm&lt;br&gt;
Free event – just drop in! All ages welcome
&lt;table width=80% cellspacing=0 cellpadding=5&gt;
&lt;tr&gt;
&lt;td align=center&gt;&lt;a href=&quot;http://www.thebigdraw.org.uk/bigdraw/index.aspx&quot;&gt;&lt;img src=&quot;http://guildfordbookfestival.co.uk/html/images/sponsor-logos/bigdraw.jpg&quot; border=0&gt;&lt;/a&gt;
&lt;/td&gt;
&lt;td&gt;
The Dragon and his Princess are back at the Guildford Book Festival. If you’ve been a part of
the Dragon and Princess days you know it’s all about working together to make the biggest book of the Festival (size wise if nothing else). This year some of the Princess’s most loyal
subjects have come to her with a special request... The ants have lost their library and need help in making small books for the teeny tiny library. So far over 300 people have helped make the Dragon and Princess’ biggest books, now its time to get together and make the smallest ones for the ants to read..!&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;p&gt;
&lt;center&gt;Sponsored by&lt;br&gt;&lt;a href=&quot;http://www.guildfordymca.org.uk/&quot; target=new&gt;&lt;img src=&quot;images/sponsor-logos/ymca.jpg&quot; width=&quot;120&quot; border=0 /&gt;&lt;/a&gt;&lt;font color=white&gt;and&lt;/font&gt; &lt;a href=&quot;http://www.wickes.co.uk/&quot; target=new&gt;&lt;img src=&quot;images/sponsor-logos/wickes.jpg&quot; border=0 /&gt;&lt;/a&gt;&lt;font color=white&gt;and&lt;/font&gt;  &lt;img src=&quot;images/sponsor-logos/guildfordartcentre.jpg&quot; height=&quot;120&quot; border=0 /&gt;&lt;/center&gt;
&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;Alex Milway – The Curse of Mousebeard&lt;/b&gt;&lt;br&gt;
The Electric Theatre • 9.45am–10.45am • £4 • age 8+ yrs
&lt;p&gt;
Author and illustrator &lt;b&gt;Alex Milway&lt;/b&gt; will talk about his Mousehunter books and draw some of the characters. Action and adventure on the high seas as the pirate Mousebeard seeks to break the curse upon him, with the help of the young mousekeepers Emiline and Scratcher.
&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;Chris Bradford – Young Samurai&lt;/b&gt;&lt;br&gt;
The Electric Theatre • 11am-12noon • £4 • age 10+ yrs
&lt;p&gt;
Meet the author of an exciting new series. Shipwrecked off the coast of Japan in 1610, his
father murdered by Ninja, Jack Fletcher finds himself alone and fighting for his survival in a
strange and foreign land. Chris will talk about his book, give a martial arts and samurai sword
demonstration plus illustrated talk on martial arts and Japan.
&lt;p&gt;
&lt;center&gt;
&lt;img src=&quot;http://guildfordbookfestival.co.uk/html/images/children/youngsamurai-web.jpg&quot; width=300&gt;&lt;/center&gt;
&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;Margaret Bateson-Hill&lt;/b&gt;&lt;br&gt;
The Electric Theatre • Café Bar • 11.15am • £2 • ages 1-4 yrs
&lt;p&gt;
Where are the 5 little ducks going? Why is the little piggy going to market and what does she
buy? Come and hear the stories of two favourite rhymes and as we lift the flap we’ll soon find all the answers.
&lt;p&gt;
Underneath each flap we discover what each duck or pig is up to – activities that little children do everyday – going to the park, or library; shopping, tidying and cooking. Look out for a
special surprise at the end of each story!
&lt;p&gt;
There are plenty of opportunities to sing all time favourites songs like &lt;i&gt;Wheels on the Bus&lt;/i&gt;, &lt;i&gt;Old MacDonald’s Farm&lt;/i&gt; and of course &lt;i&gt;Twinkle Twinkle&lt;/i&gt;!
&lt;p&gt;
&lt;center&gt;
&lt;img src=&quot;http://guildfordbookfestival.co.uk/html/images/children/ducks-web.jpg&quot; width=400 border=&quot;0&quot;&gt;
&lt;/center&gt;
&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;WORKSHOP: Pirate and Creature Drawing&lt;br&gt;
with author and illustrator Alex Milway&lt;/b&gt;&lt;br&gt;
The Electric Theatre • Farley Room • 12noon-12.45pm • £4 • age 7 yrs +
&lt;p&gt;
Have you ever wanted to draw the nastiest, most horrible pirate ever? Or maybe you’ve had an idea for a fantastical creature, but didn’t know how to draw it? Here’s your chance to turn your ideas into pictures with the creator of the Mousehunter books, &lt;b&gt;Alex Milway&lt;/b&gt;!
&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;WORKSHOP: Margaret Bateson-Hill&lt;/b&gt;&lt;br&gt;
The Electric Theatre • Farley Room • 1.30pm-2.30pm • £4 • ages 5-10 yrs
&lt;p&gt;
Fold it and cut it and turn it around, Open it up and see what you’ve found... Come and hear a Chinese folk tale and then discover what is hidden inside your piece of paper - a flower... a butterfly...a dragon? A papercutting workshop with the author of &lt;i&gt;Lao Lao of Dragon Mountain&lt;/i&gt; and &lt;i&gt;Dragon Racer&lt;/i&gt;.
&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;Shoe Baby (Long Nose Puppets)&lt;/b&gt;&lt;br&gt;
The Electric Theatre • 1.30pm • £5 • Suitable for ages 2-6 yrs&lt;br&gt;
Lasts approx. 30 mins
&lt;p&gt;
Based on the successful book by &lt;b&gt;Joyce Dunbar&lt;/b&gt;, &lt;i&gt;Shoe Baby&lt;/i&gt;, is a show in which a baby takes to the air, sea and zoo, all in a shoe. The show is bursting with music, colour, movement and surprises, with over 20 puppets of varying scales acting the story.
&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;Emma Dodd – Dinosaur Hunting&lt;/b&gt;&lt;br&gt;
The Electric Theatre • Café Bar • 2.30pm • £2 • ages 1-4 yrs
&lt;p&gt;
Come on an epic dinosaur hunt with Emma and hear all about little Jack’s HUGE imagination;
watch Emma sketch an amazing array of dinosaurs!
&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;Michael Rosen &amp; The Homemade Orchestra&lt;/b&gt;&lt;br&gt;
The Electric Theatre • 7.30pm • £10 • Suitable for age 6 yrs +
&lt;p&gt;
Children’s Laureate, &lt;b&gt;Michael Rosen&lt;/b&gt;, together with &lt;b&gt;Colin Riley&lt;/b&gt;, &lt;b&gt;Tim Whitehead&lt;/b&gt; and &lt;b&gt;Liam Noble&lt;/b&gt; will use nonsense poetry with music to ignite the surreal, the playful and the unexpected in a performance of words and music. Michael will narrate the poetry accompanied by The Homemade Orchestra. The performance will navigate through ‘baked bean storms’, ‘jellyfish under the rug’, ‘lonely toads in the middle of the road’ and the retail greed of &lt;i&gt;More, More, More&lt;/i&gt; in an off wall romp through an ever-changing musical scenario.
&lt;hr width=80%&gt;
&lt;p&gt;
&lt;p&gt;
PLEASE NOTE - Unfortunately, the events with &lt;b&gt;Titania Woods&lt;/b&gt;, &lt;b&gt;Mark Walden&lt;/b&gt; and &lt;b&gt;Amanda Lees&lt;/b&gt; have been cancelled. Please accept our apologies for any inconvenience.
&lt;p&gt;
&lt;table width=80%&gt;
&lt;tr&gt;&lt;td&gt;&lt;a href=&quot;http://www.childrensdiscovery.org.uk&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://guildfordbookfestival.co.uk/html/images/sponsor-logos/childrens-discovery.jpg&quot; width=100 border=0&gt;&lt;/a&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;i&gt;The Children's Discovery Centre has been organising schools events and projects by Children's authors for over 20 years.&lt;/td&gt; 
&lt;/tr&gt;
&lt;/table&gt;
&lt;/center&gt;

</description>
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<item>
<title>Join our Email list</title>
<link>http://www.guildfordbookfestival.co.uk/html/modules.php?name=News&amp;file=article&amp;sid=37</link>
<description>&lt;p&gt;
Why not join our email list? Being the first to know about forthcoming events is well worth it.
&lt;p&gt;
We'll only contact you by email, unless you supply your postal address.
&lt;p&gt;
If you'd like us to post you a copy of the Festival Brochure, please complete the form on the &lt;a href=&quot;http://guildfordbookfestival.co.uk/html/modules.php?name=Brochure&quot;&gt;Order A Brochure&lt;/a&gt; page.
&lt;p&gt;
&lt;b&gt;New subscribers&lt;/b&gt; - Just enter your email address below and we will make sure we contact you when more events are planned!
&lt;p&gt;
&lt;b&gt;Existing subscribers&lt;/b&gt; - You can manage your subscription (e.g. update your email address) by entering the email address you used to sign up in the box below.
</description>
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<title>The 2008 Guildford Big Read is Well Under Way!</title>
<link>http://www.guildfordbookfestival.co.uk/html/modules.php?name=News&amp;file=article&amp;sid=36</link>
<description>&lt;table width=&quot;90%&quot; cellpadding=2&gt;
&lt;td colspan=&quot;1&quot;&gt;Guildford Book Festival launched an exciting new initiative for this year – &lt;b&gt;The Guildford Big Read&lt;/b&gt;. Festival organisers chose novels by the much loved Guildford-born author &lt;b&gt;P. G. Wodehouse&lt;/b&gt; for the Big Read.
&lt;td align-&quot;center&quot; colspan=&quot;2&quot;&gt;&lt;img src=&quot;images/festival08/wodehouse 1-WEB.jpg&quot; border=1 width=240&gt;&lt;/td&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

&lt;table width=&quot;90%&quot; cellpadding=2&gt;
&lt;td align-&quot;center&quot; colspan=&quot;2&quot;&gt;&lt;img src=&quot;images/festival08/wodehouse 2-WEB.jpg&quot; border=1 width=240&gt;&lt;/td&gt;
&lt;td colspan=&quot;1&quot;&gt;
At the end of this year's Festival an evening celebrating the life and work of P.G.Wodehouse was held. Hosted by &lt;b&gt;Jeff Thomson&lt;/b&gt;.
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td colspan=&quot;3&quot;&gt;
The capacity audience enjoyed readings from &lt;b&gt;Jonathan Cecil&lt;/b&gt;, &lt;b&gt;Lara Cazalet&lt;/b&gt; and Jeff Thomson. &lt;b&gt;Tony Ring&lt;/b&gt;, the UK's foremost authority on all things Wodehouse, talked about the life and work of the endearingly popular writer. There were songs from &lt;b&gt;Hal Cazalet&lt;/b&gt; and &lt;b&gt;Eliza Lumley&lt;/b&gt;, accompanied by &lt;b&gt;Stephen Higgins&lt;/b&gt; on the piano and a demonstration of Tango dancing by &lt;b&gt;Flavio de Brito and the Tanguera Dance Company&lt;/b&gt;.
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

&lt;table width=&quot;90%&quot; cellpadding=2&gt;
&lt;td colspan=&quot;1&quot;&gt;
&quot;We were really eager to run an event which everyone could join and the timing for the launch was just perfect - eighteen of Wodehouse’s titles have just been re-issued by Arrow Books this summer and 2008 is also the National Year of Reading&quot; explained Glenis Pycraft, Festival Director, about The Big Read.
&lt;/td&gt;
&lt;td align-&quot;center&quot; colspan=&quot;2&quot;&gt;&lt;img src=&quot;images/authors08/wodehouse/head-in-flowerpot.png&quot; border=0&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;</description>
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<item>
<title>Schools and Young Readers</title>
<link>http://www.guildfordbookfestival.co.uk/html/modules.php?name=News&amp;file=article&amp;sid=35</link>
<description>&lt;p&gt;
We had another great programme of events for schools this year!
&lt;p&gt;
In 2009, well over two thousand children from local schools were able to meet and talk to authors visiting the Festival.

&lt;table width=&quot;80%&quot; cellpadding=8&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;b&gt;Alex Milway&lt;/b&gt;&lt;br&gt;
After art school Alex spent many years in magazine publishing before publishing his &lt;i&gt;Mousehunter&lt;/i&gt; series. The young mouse-keepers Emmeline and Scratcher have lots of fabulous adventures involving mice and  pirates in fast-moving and atmospheric tales. 
&lt;/td&gt;
&lt;td&gt;
&lt;img src=&quot;images/authors09/amilway-web.jpg&quot;&gt;
&lt;/td&gt;
&lt;/tr&gt;

&lt;tr&gt;
&lt;td&gt;

&lt;img src=&quot;images/authors09/svoake-web.jpg&quot;&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;b&gt;Steve Voake&lt;/b&gt;&lt;br&gt;
Steve was headteacher of a village school before becoming a full-time writer. Author of &lt;i&gt;The Dreamwalker’s Child&lt;/i&gt;, &lt;i&gt;The Web of Fire&lt;/i&gt; and &lt;i&gt;The Starlight Conspiracy&lt;/i&gt;. His latest book is &lt;i&gt;Blood Hunters&lt;/i&gt; - not your average fantasy story. Along with a fast-paced plot is a moral heart that addresses the impact humans have on the planet and the possibility of nature fighting back.
&lt;/td&gt;
&lt;/tr&gt;

&lt;tr&gt;
&lt;td&gt;
&lt;b&gt;Alexander Gordon Smith&lt;/b&gt;&lt;br&gt;
Following the success of &lt;i&gt;The Inventors&lt;/i&gt; and &lt;i&gt;The City of Stolen Souls&lt;/i&gt; Alexander now has a brand new series for teenagers. &lt;i&gt;Furnace&lt;/i&gt; is a terrifying underground prison where juveniles are sentenced for life with no chance of release. His events involve lots of
audience participation and advice on how to write!
&lt;/td&gt;
&lt;td&gt;
&lt;img src=&quot;images/authors09/agordonsmith-web.jpg&quot;&gt;
&lt;/td&gt;
&lt;/tr&gt;

&lt;tr&gt;
&lt;td&gt;
&lt;img src=&quot;images/authors09/clawrencekids-web.jpg&quot;&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;b&gt;Caroline Lawrence&lt;/b&gt;&lt;br&gt;
Caroline Lawrence studied Classical Archaeology at Cambridge and her love of history brings Rome to life in this the final book in the Roman Mysteries series. &lt;i&gt;The Man from Pomegranate Street&lt;/i&gt; was published in June.
&lt;/td&gt;
&lt;/tr&gt;

&lt;tr&gt;
&lt;td&gt;
&lt;b&gt;Conn Iggulden &amp; Lizzy Duncan&lt;/b&gt;&lt;br&gt;
Author of &lt;i&gt;The Dangerous Book for Boys&lt;/i&gt; and illustrator Lizzy Duncan talk about the explosive world of Tollins and introduce some remarkable little creatures, who may be smaller than fairies, but are about as fragile as a house brick.
&lt;/td&gt;
&lt;td&gt;
&lt;img src=&quot;images/authors09/tollins-web.jpg&quot;&gt;
&lt;/td&gt;
&lt;/tr&gt;

&lt;tr&gt;
&lt;td&gt;
&lt;b&gt;Gaby Halberstam&lt;/b&gt;&lt;br&gt;
Gaby's debut novel &lt;i&gt;Blue Sky Freedom&lt;/i&gt; was shortlisted for the Waterstone’s Children’s Book Prize 2008. Her latest is &lt;i&gt;The Red Dress&lt;/i&gt;, set in 1944 in the sweltering South African wilderness, about a family and first love and contrasts life then as a white girl and with life as a non-white.
&lt;/td&gt;
&lt;td&gt;
&lt;img src=&quot;images/authors09/ghalberstam-web.jpg&quot;&gt;
&lt;/td&gt;
&lt;/tr&gt;

&lt;tr&gt;
&lt;td&gt;
&lt;img src=&quot;images/authors09/pcollicutt-web.jpg&quot;&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;b&gt;Paul Collicutt&lt;/b&gt;&lt;br&gt;
Taking his inspiration from the Marvel comics, Paul has been working on the Robot City Adventures for ten years. They are a series of graphic novels where highly developed robots  are part of everyday life. Paul is an illustrator and will be working with a group of art students.
&lt;/td&gt;
&lt;/tr&gt;

&lt;tr&gt;
&lt;td&gt;
&lt;b&gt;Dugald Steer&lt;/b&gt;&lt;br&gt;
Well known as the author of the ‘Ology’ series (&lt;i&gt;Dragonology, Wizardology&lt;/i&gt;). He has now written &lt;i&gt;The Dragonolgy Chronicles&lt;/i&gt; featuring Daniel and Beatrice. They cross many continents, befriend a colourful collection of new dragon species and escape from the clutches of the evil Aleaxandra Gorynytchka – the future of dragonkind lies in their hands.
&lt;/td&gt;
&lt;td&gt;
&lt;img src=&quot;images/authors09/dsteer-web.jpg&quot;&gt;
&lt;/td&gt;
&lt;/tr&gt;

&lt;tr&gt;
&lt;td&gt;
&lt;img src=&quot;images/authors09/edodd-web.jpg&quot;&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;b&gt;Emma Dodd&lt;/b&gt;&lt;br&gt;
Emma has written and illustrated several picture books including &lt;i&gt;I Thought I Saw a Dinosaur&lt;/i&gt;. Her latest book, &lt;i&gt;Miaow Said the Cow&lt;/i&gt;, is a tale of farmyard havoc. During Emma’s events she draws her characters for the children. Emma will be at Ash Library for a schools’ only event.
&lt;/td&gt;
&lt;/tr&gt;

&lt;tr&gt;
&lt;td&gt;
&lt;b&gt;Cathy Brett&lt;/b&gt;&lt;br&gt;
Cathy’s first novel, &lt;i&gt;Ember Fury&lt;/i&gt;, is half novel, half graphic novel. Cathy is an illustrator and writer and now lectures in design, unashamedly plundering her students’ lives for sensational storylines and characters. Cathy will hold a graphic drawing workshop.
&lt;/td&gt;
&lt;td&gt;
&lt;img src=&quot;images/authors09/cbrett-web.jpg&quot;&gt;
&lt;/td&gt;
&lt;/tr&gt;

&lt;tr&gt;
&lt;td&gt;
&lt;img src=&quot;images/authors09/tdocherty-web.jpg&quot;&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;b&gt;Thomas Docherty&lt;/b&gt;&lt;br&gt;
Thomas's latest book, &lt;i&gt;Big Scary Monster&lt;/i&gt;, is an energetic picture book with an anti-bully message. His earlier book, &lt;i&gt;Little Boat&lt;/i&gt;, was shortlisted for the CILIP Kate Greenaway Medal in 2009 and &lt;i&gt;To the Beach&lt;/i&gt; was longlisted for the Big Picture Best New Illustrators
awards 2008.
&lt;/td&gt;
&lt;/tr&gt;

&lt;tr&gt;
&lt;td&gt;
&lt;b&gt;Ruby Stark&lt;/b&gt;&lt;br&gt;
Ruby's book, &lt;i&gt;Lulu is a Ladybird&lt;/i&gt;, and is the first in a series of Bugbites Books which are delightful introduction to the world of insects and other creepy crawlies. The books engage children’s interest through stories woven with threads of natural history.
&lt;/td&gt;
&lt;td&gt;
&lt;img src=&quot;images/authors09/rstark-web.jpg&quot;&gt;
&lt;/td&gt;
&lt;/tr&gt;

&lt;tr&gt;
&lt;td&gt;
&lt;img src=&quot;images/authors09/tomato-web.jpg&quot;&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;b&gt;Jim Helmore &amp; Karen Wall&lt;/b&gt;&lt;br&gt;
Jim and Karen recently won first prize in the Dundee Picture Book Award for &lt;i&gt;Who Are You, Stripy Horse?&lt;/i&gt; Karen works as a textile designer when she’s not creating picture books and Jim works in the publishing industry. Their new book is called &lt;i&gt;Oh No, Monster Tomato!&lt;/i&gt;.
&lt;/td&gt;
&lt;/tr&gt;

&lt;tr&gt;
&lt;td&gt;
&lt;b&gt;Philip Ardagh&lt;/b&gt;&lt;br&gt;
An event of exceptional silliness. Beardy Ardagh, resident of Grubtown talks about his new book in the series &lt;i&gt;The Far From Great Escape&lt;/i&gt;. You won’t find Grubtown on any maps. The last time any map-makers were sent anywhere near the place they were found a week later wearing nothing but pages from a telephone directory and calling for their mothers.
&lt;/td&gt;
&lt;td&gt;
&lt;img src=&quot;images/authors09/pardagh-web.jpg&quot;&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;</description>
</item>

<item>
<title>Short Story Competition 2007 - Runner-up</title>
<link>http://www.guildfordbookfestival.co.uk/html/modules.php?name=News&amp;file=article&amp;sid=32</link>
<description>&lt;i&gt;End of Summer&lt;/i&gt; By Mrs &lt;b&gt;Chris Hazelgrove&lt;/b&gt;

&lt;p&gt;
Level with her travel stung eyes, the name plate gleamed: St Joseph’s Home for Orphans. She re-read it, knew the summer holiday was over, knew that the life she had always known was over.
&lt;p&gt;
There was no journey in her memory, and Lily could recall no packing up, no goodbyes to school friends or family at the gate, no overnight stay somewhere to make possible the long and difficult transfer she and her mother must have made.
&lt;p&gt;
“Well, here we are ,“ her mother said, in that particular way she had of stating the obvious. She put down Lily’s tiny cardboard suitcase, and leaned more heavily on the wall of the porch.
&lt;p&gt;
A chill gust of wind flipped under the hem of Lily’s coat, finding her bare knees. A swirl of brown leaves chased, breaking formation against the brick red porch before whisking upwards and away.
&lt;p&gt;
One small leaf remained trapped in a cobweb, abandoned and flapping as its fellows soared and parted company.
&lt;p&gt;
That she had arrived here in Surrey from her seaside home in Lancashire dismayed the child, not least because she had taken the precaution of leaving her favourite pink-striped pebble in the church after Sunday school.
&lt;p&gt;
She had hummed to herself through weeks of round-the-table speculations by uncle, her teacher, the vicar and a social worker.  She strove to close her ears to the unwelcome information, rejected their final decision.
&lt;p&gt;
But it had happened anyway; they were sending her away to this place.
&lt;p&gt;
The building was vast. Bigger than the rectory or Royal Albert Hotel, the facade loomed. Between the grizzled walls and cerulean sky a white clock tower showed slices of a huge grey bell.
&lt;p&gt;
She clutched her mother’s hand, before turning to look back. Lawns fell away for a distance even greater than the park near the sea front at home.
&lt;p&gt;
A fringe of trees formed a dense right angle where hobgoblins might live and where brown-gold leaves conspired to hide the road along which their bus must have travelled.
&lt;p&gt;
Four parallel white lines were just visible in the centre of the grass expanse. A memory, sudden and sharp, struck her as her nostrils evoked the fading summer, its whitened kneepads and linseed oil stoked onto cricket bats.
&lt;p&gt;
She recalled that blistering day her older brothers were called from the pavilion to stand with their heads bowed before their mother, how the players awaited their return to the game by tossing the ball from hand to hand, dabbing bats into the crease.
&lt;p&gt;
They wore black armbands their mother had made, later transferring them from their white shirt sleeves to khaki. Lily remembered too the sleepy-body smell of her sister in their shared bed and the family’s noisy tears on the day the great black car drove up.
&lt;p&gt;
One side of the grass square was bounded by rougher growth, now yellowing. Fresh-painted football posts stood sentinel at either end.
&lt;p&gt;
The child and her mother stood on the fourth side, at the top of two steep terraces. Lily imagined  lying on her side and rolling down them, one after the other, reaching the cricket pitch in one go and then running - running for ever and ever.
&lt;p&gt;
Incipient tears pricked at the lining of her nose and stung her eyes. In this unfamiliar place she ached behind her face and in her throat. Her tummy churned in a confusion of pains she knew even omniscient grown-ups would not understand.
&lt;p&gt;
She wanted above all things to go home. She felt dwarfed, shrunken like Alice in Wonderland when she obeyed the label and drank the potion.
&lt;p&gt;
Aunts, who only occasionally visited, would frighten her, saying “My how you’ve grown. If you go on like this you’ll hit the ceiling.” Now the reverse was happening and she had dwindled in this vast landscape, outside this huge house that would never be home.
&lt;p&gt;
There was hardly a sound: no gulls careening, no rigging clattering, no voices even, though her mother had promised her lots of children to play with. There was no grown-up chatter like in the kitchen at home, no wireless, no shouts of anger.
&lt;p&gt;
She recalled bursts of laughter rising from the street outside at night. But here, over the swish of the wind in the branches, she heard only a brown bee that zinged as it batted at the powdery mortar gripping chunks of flint in the wall.
&lt;p&gt;
The glossy green paint of the doors had been sun-blistered into crisp domes. Lily’s fore-finger itched to press them and feel those bulges burst, as she had burst the tar bubbles on the sun-baked road at home. 
&lt;p&gt;
A shining brass disc set into the flints had a tempting centre of white porcelain with the word press in firm black letters.  Focusing on the bell push to prevent the fall of welling tears, she said, “Do you think we should ring it?”
&lt;p&gt;
“Perhaps we’ll just knock”, her mother replied, as though that were a more modest, more acceptable method of attracting attention. Mrs Dyson stretched out her hand to the black iron stirrup on the door, but her gesture coincided with the movement of Lily’s finger, as, Alice-like, she obeyed the white button’s instruction and pressed.
&lt;p&gt;
Along with the crack of the knocker sounding against its plate, the bright chime of a bell echoed inside the house. A rumble of metal followed, as a bolt slid from its housing.
&lt;p&gt;
The doors parted and between them a lady with cheeks of spreading redness smiled down. She held onto the knobs, one in each hand, and bent her head forward, assessing. 
&lt;p&gt;
Lily grabbed a fistful of black serge coat, remembering now who this stranger must be, and why they were here. She saw that her mother had paled and watched her lips flutter with words reluctant to leave her mouth, watched her tongue flick in and out. She loosened Lily’s grip and straightened up, pushing her little suitcase over the threshold with the end of one crutch.
&lt;p&gt;
“I’m Edna Dyson, and this is Lily,” her mother said, nudging the child forward.
&lt;p&gt;
The lady’s hand was a soft, warm weight on Lily’s shoulder. When the matron began to guide her through the double doors she looked round for reassurance.
&lt;p&gt;
But her mother had turned away and Lily only saw her hunched back retreating, and heard only the uneven crunch and scrape of her crutch as she shuffled away down the gravel path.  </description>
</item>

<item>
<title>Short Story Competition 2007 - Winner</title>
<link>http://www.guildfordbookfestival.co.uk/html/modules.php?name=News&amp;file=article&amp;sid=31</link>
<description>&lt;i&gt;Openings and Endgame&lt;/i&gt;
By &lt;b&gt;Richard Cutler&lt;/b&gt;

&lt;p&gt;
People say Alitsa Krasnovaya is the worst street in Moscow. It is in the 12th District and is no more than an alleyway overhung by drab buildings. It runs from an exit of the Locomotiv ground to the Bulganin Cemetery. Never swept.
&lt;p&gt;
Football fans urinate in it, there are frequent knifings, murders, robberies and rapes. At night it is lit only by a single street lamp.  Yet, surprisingly, it has a redeeming feature, No 24 -  a house wedged in between two shabby tenement blocks. 
&lt;p&gt;
More than a house, it has a fine garden running down to the cemetery itself, and once had been lived in by a cultured family and their son, a doctor.  Sumner and winter the shutters were closed, blinds down -  no one entering or leaving - no visitors, no police, no-one official – not even a cat being put out, or a dog let in.
&lt;p&gt;
24 was the house of a non-person, Streltsky, a man who had once received a Stalin Star, a brave doctor and surgeon on the front line of the People’s War against Fascism. That was until he was convicted of cowardice. He was not shot but was sent back to Moscow in a cattle truck with other criminals.
&lt;p&gt;
His trial before General Maximov and two tribunal comrades was swift.  Streltsky was stripped of his university degrees and declared a non-person - no name. A number – 242424.  His house number in triplicate - General Maximov’s joke
&lt;p&gt;
Forty years alone - his wife and family had left him. Who could live with a nobody? A divorce, for the doctor was no more,  officially dead. These are facts.  I looked after many such files for the KGB. The rest comes from sources I cannot reveal.
&lt;p&gt;
I protected his house by making it a non-place.  I was taught by his father - he does not know me. During these decades of withdrawal Streltsky devoted himself to reading, not great Russian works though his lather had taught literature once at Kharkov University, but chess.
&lt;p&gt;
He followed all the great tournaments, televised and in the press, studied books on moves and tactics, knew the names of the chess correspondents by their first names and patronymics but they did not know he existed.</description>
</item>

<item>
<title>Buy Tickets</title>
<link>http://www.guildfordbookfestival.co.uk/html/modules.php?name=News&amp;file=article&amp;sid=30</link>
<description>&lt;p&gt;
&lt;b&gt;Festival Box Offices&lt;/b&gt;&lt;br&gt;
&lt;br&gt;
&lt;b&gt;Electric Theatre&lt;/b&gt; - 01483 444789&lt;br&gt;
&lt;b&gt;Tourist Information Centre&lt;/b&gt; - 01483 444334

&lt;p&gt;
&lt;b&gt;Buy Online&lt;/b&gt;&lt;br&gt;
&lt;br&gt;
&lt;a href=&quot;https://www.guildford.gov.uk/electricpeo/&quot; target=&quot;_new&quot;&gt;CLICK HERE&lt;/a&gt; to buy tickets online. This link will open in a new window.

&lt;p&gt;
We advise booking in advance to avoid disappointment.&lt;br&gt;
All venues will sell tickets on the door subject to availability.&lt;br&gt;
For events where refreshments are provided, tickets must be booked well in advance.

&lt;p&gt;
All venues have access for the Disabled, except Guildford Institute, County Club, Farley Room (The Electric Theatre) and Guildford Museum.
</description>
</item>

<item>
<title>Adult Workshops 2010</title>
<link>http://www.guildfordbookfestival.co.uk/html/modules.php?name=News&amp;file=article&amp;sid=29</link>
<description>&lt;p&gt;Every year we have a varied programme of workshops which are very popular and sell out very quickly. We will advertise the 2010 Festival workshops here as soon as they are programmed – so please look out for them!

&lt;!--&lt;li&gt;&lt;b&gt;THURSDAY 15th OCTOBER&lt;br&gt;
Julia Churchill – Getting Published in Children’s Books&lt;/b&gt;&lt;br&gt;
Farley Room, The Electric Theatre • 3pm-4:30pm • £6 • &lt;b&gt;sponsored by Guildford Arts&lt;/b&gt;
&lt;p&gt;
Are you writing a children’s book? Do you want to get published? Literary agent &lt;b&gt;Julia Churchill&lt;/b&gt; will offer those all important tips and advice on getting your book published. Julia began her career in books in the Press office of Sheldrake Press and in 2002 she started work at the Darley Anderson Literary Agency. Here Julia built up the agency’s prestigious children’s books list, finding and selling debut authors who went on international success. Julia joined The Greenhouse Literary Agency in 2009.
&lt;p&gt;
The Greenhouse exclusively represents and manages the careers of authors writing fiction for children, from young chapter-book series through middle-grade novels to sophisticated teen fiction. She regularly attends British writers’ events and is on the lookout for both new and established authors with storytelling magic.

&lt;/p&gt;
&lt;br&gt;
&lt;b&gt;Annie Caulfield – Writing for Radio&lt;/b&gt;&lt;br&gt;
Farley Room, The Electric Theatre • 7pm-9pm • £12
&lt;p&gt;
BBC Radio broadcasts over 400 plays a year; 25% of the output is from writers new to radio. This
workshop is aimed at interested listeners as well as aspiring writers. The practical exercises and advice will help participants to begin writing and to acquire techniques to develop their work.
Successful radio dramas will be examined in discussion to see how they work. Other useful
topics will include the use of sound effects; writing dialogue and how to get a play broadcast. Come and find out more about radio and how to write for this thriving market.
&lt;p&gt;
&lt;b&gt;Annie Caulfield&lt;/b&gt; has written award winning plays for BBC Radio 4, BBC World Service and BBC Radio , including the critically acclaimed &lt;i&gt;Your Only Man&lt;/i&gt;, on the life of Flann O’Brien starring Ardal O’Hanlan and Dara O’Briain. One of the originating writers on the World Service soap opera &lt;i&gt;Westway&lt;/i&gt;, Annie has also created comedy series for radio such as &lt;i&gt;The Truck&lt;/i&gt; and &lt;i&gt;Reasons To Be Cheerful&lt;/i&gt;. &lt;i&gt;From Our Own Correspondent&lt;/i&gt;, &lt;i&gt;Four Corners&lt;/i&gt; and &lt;i&gt;Crossing Continents&lt;/i&gt; are among the factual programmes Annie has written and presented for. She was a regular chat show host on LBC. She is currently writing a play to star comedian Lenny Henry, based on the life of Paul Robeson for BBC Radio 3.
&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;SATURDAY 17 OCTOBER&lt;br&gt;
Sense and Sensitivity (A Writers’ Workshop) - Part Two&lt;/b&gt;&lt;br&gt;
Guildford Institute, Ward Street • 10am-1pm • £10
&lt;p&gt;
A writers’ workshop run by authors from &lt;b&gt;Goldenford Publishers&lt;/b&gt; using their knowledge and experience to encourage new and not so new writers to inspire their writing by using the five senses. Bring pen and paper. This is Part Two of a course, the first session under the auspices of Mole Valley Arts Alive Festival on 10 October in Leatherhead. However, it is not necessary to have attended the first session in order to benefit from this workshop. Newcomers are welcome.

&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;SUNDAY 18 OCTOBER&lt;br&gt;
Linda Regan &amp; Brian Murphy – Writing for Television and Screen&lt;/b&gt;&lt;br&gt;
Farley Room, The Electric Theatre • 1:30pm-6pm • £16
&lt;p&gt;
This workshop will be in two parts – the first half will be a talk by Linda and Brian on working in
television, film, radio and commercials, with insider tips on how to open doors to get inside and
into working in the media. After a break the second half will be a hands-on workshop.
&lt;p&gt;
&lt;b&gt;Linda Regan&lt;/b&gt; is an accomplished actress and writer. She has worked on countless television, theatre, film and radio programmes since an early age. She is also a successful writer, and is currently working on her fourth crime novel.
&lt;p&gt;
&lt;b&gt;Brian Murphy&lt;/b&gt;, although famous for &lt;i&gt;George and Mildred&lt;/i&gt;, has also worked on countless television, film and radio programmes including being a member of Joan Littlewood’s Theatre Workshop- a company that has gone down in the history oftheatre - where plays were devised through actors’ improvisation.

&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;MONDAY 19 OCTOBER&lt;br&gt;
Sophie King – Writing Short Stories&lt;/b&gt;&lt;br&gt;
Farley Room, The Electric Theatre • 7pm-9pm • £12
&lt;p&gt;
&lt;b&gt;Sophie King&lt;/b&gt; has written numerous short stories for women’s magazines, including &lt;i&gt;Woman’s Weekly&lt;/i&gt;, &lt;i&gt;My Weekly&lt;/i&gt;, &lt;i&gt;Fiction Feast&lt;/i&gt; and &lt;i&gt;Take a Break&lt;/i&gt;. She has also written the best-seller &lt;i&gt;How to Write Short Stories and Get Published&lt;/i&gt;. In addition, she writes novels: her latest is &lt;i&gt;The Wedding Party&lt;/i&gt;. In this workshop, she will help you find the right ideas for a short story; create convincing characters; plan a good plot; and give advice on viewpoint and dialogue.

&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;TUESDAY 20 OCTOBER&lt;br&gt;
Caroline Taggart – The Three Whys of Non-Fiction&lt;/b&gt;&lt;br&gt;
Farley Room, The Electric Theatre • 3pm-4:30pm • £10 • &lt;b&gt;sponsored by Guildford Arts&lt;/b&gt;
&lt;p&gt;
When pitching a non-fiction idea you have to answer three questions: why this book, why me and why now? In a crowded market, what are you going to do that is different from anyone else? Why are you qualified to write on this subject? And why should it be published this year or next year, rather than sometime or never? We’ll be looking for answers to these questions, as
well as what to put in a covering letter, how to prepare a synopsis and the importance of that vital first sentence. Please bring a rough outline – or at least an idea in your head – of a non-fiction book you’re longing to write and be prepared to participate in informal group discussion.
&lt;p&gt;
&lt;b&gt;Caroline Taggart&lt;/b&gt; is the editor of &lt;i&gt;Writer’s Market UK and Ireland: your guide to making money from your writing&lt;/i&gt; and the author of the best-selling &lt;i&gt;I Used to Know That&lt;/i&gt; and &lt;i&gt;My Grammar and I (or should that be ‘Me’?)&lt;/i&gt;.
&lt;/p&gt;
&lt;br&gt;
&lt;b&gt;Laura Wilson – Making Crime Pay&lt;/b&gt;&lt;br&gt;
Farley Room, The Electric Theatre • 6:30pm-8:30pm • £12
&lt;p&gt;
A workshop with &lt;b&gt;Laura Wilson&lt;/b&gt; exploring the range and potential of the crime novel, with tips on plotting, suspense, creating convincing villains, and how to maximise your chances of getting your work published.
&lt;p&gt;
Laura Wilson is author of eight crime novels including &lt;i&gt;Hello Bunny Alice&lt;/i&gt;, &lt;i&gt;Stratton’s War&lt;/i&gt; and most recently &lt;i&gt;An Empty Death&lt;/i&gt;. She is crime fiction reviewer for The Guardian and chaired the programming committee for this year’s Harrogate Crime Festival.

&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;THURSDAY 22 OCTOBER&lt;br&gt;
Boy Meets Girl: Writing Romantic Comedy&lt;/b&gt;&lt;br&gt;
Guildford Library, North Street • 2.30pm-4.30pm • £12
&lt;p&gt;
Best-selling novelists &lt;b&gt;Matt Dunn&lt;/b&gt; and &lt;b&gt;Kate Harrison&lt;/b&gt; lead you through the essential ingredients of writing love stories with a comic element - and then explore how to find an original angle to make your book stand out in this hugely popular, but very competitive genre. They’ll discuss titles, twists and the art of the satisfying ending.

&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;FRIDAY 23 OCTOBER&lt;br&gt;
Lisa Boggiss Boyce – Pop-Up Books: Gimmick or Gift?&lt;/b&gt;&lt;br&gt;
Farley Room, The Electric Theatre • 6.30-8.30pm • £10 • Suitable for adults and ages 12+
&lt;p&gt;
Pop-Up books have long been considered as novelty items and ephemeral, they are seldom
loved by schools or libraries due to their high purchase price and delicate mechanisms. Of course
the durability of these books is no less than any other if it sits unread on the shelf, but the rarity of past titles which have succumbed to the repeated handling of enraptured readers can be regarded as a testimony to their delightful appeal, an appeal which is still strong with modern day readers.
&lt;p&gt;
In this talk &lt;b&gt;Lisa Boggiss Boyce&lt;/b&gt; will be discussing the history and development of the pop-up book, its place in the canon of children’s literature and its relevance for children in an era of computer and video games. She will have a comprehensive collection of pop-up books for you to look at and handle and will give everyone the chance to make a pop-up as part of the session.
&lt;p&gt;
Lisa Boggiss Boyce has been a paper-engineer and Art Director in children’s publishing for 26
years and has an MA in Children’s Literature from Roehampton University. She has lectured
undergraduates and postgraduates on all aspects of children’s book production, taught paper engineering skills and visual theory in art colleges and given talks on the history, development and relevance of pop-up books at several Children’s Literature conferences.

&lt;hr width=80%&gt;
&lt;p&gt;
&lt;li&gt;&lt;b&gt;SATURDAY 24 OCTOBER&lt;br&gt;
Crazy Comic Workshop – Presented by James Parsons&lt;/b&gt;&lt;br&gt;
The Electric Theatre • £6 each session&lt;br&gt;
10:30-12pm • 7-11 years – comic front cover design and execution&lt;br&gt;
12:30-2pm • 7-11 years – working on the inside of the comics, page layout etc&lt;br&gt;
2:30-4pm • 12 years plus – manga / comic art for teenagers. Character design&lt;br&gt;
&lt;p&gt;
Bestselling cartoonist &lt;b&gt;James Parsons&lt;/b&gt; will be guiding you through the creation and development of your own pieces of unique comic art. Explore the limitless potentials of this amazing artform, finding out about about storytelling, dynamics, composition, expression, anatomy, time and motion in comics whilst developing your own style... And if you just feel like drawing an army of chainsaw juggling zombies, that’s OK too!
&lt;/p&gt;
&lt;br&gt;
&lt;b&gt;Open University Creative Writing Workshops&lt;/b&gt;&lt;br&gt;
Farley Room, The Electric Theatre • 11am-1pm • £12 • 2pm-4pm • £12 (repeat session)
&lt;p&gt;
If you are inspired to write, but don’t know where to start, then come along to a creative writing
workshop and discover fresh ways to bring your memories, your imagination and your words
together. Novelist and Open University Creative Writing tutor, &lt;b&gt;Roger Moss&lt;/b&gt;, will provide you with some basic strategies to get you going - and turn you from thinking “Oh, I can’t do that” to “Yes, maybe I can.”--&gt;</description>
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